91% Lincoln

All Critics (195) | Top Critics (43) | Fresh (177) | Rotten (18)

It's the most remarkable movie Steven Spielberg has made in quite a spell, and one of the things that makes it remarkable is how it fulfills those expectations by simultaneously ignoring and transcending them.

Lincoln paints a powerful and compelling portrait of the man who has become an icon. We don't need to see more of his life to understand how rare a figure he was - this window is more than sufficient.

Lincoln offers proof of what magic can happen when an actor falls in love with his character. Because as great as Day-Lewis has been in his many parts, he has never seemed quite so smitten.

The film masterfully captures the dual dilemmas facing the president in the final months of his life: how to bring the war between the states to an end, and how to eradicate slavery, once and for all.

Lincoln is a stirring reminder that politics can be noble. Might there be a lesson here for today's shrill D.C. discourse? 'Tis a consummation devoutly to be wished.

Day-Lewis' voice is thin and reedy, which jibes with historical accounts but subverts our expectations. His attitude makes listeners lean in, and so do we, magnetized by his kindly reserve.

This is handsome-looking history, but Spielberg's worshipful treatment slows down its pulse.

As unexpected as it is intelligent, thanks to virtuoso work from Spielberg and Kushner, Lincoln is landmark filmmaking, while Day-Lewis is so authentic he pulls off that stovepipe.

Lincoln is okay: a well-acted, nicely shot, perfectly watchable biopic that I assume has one hundred times more resonance when viewed from the opposite of the Atlantic.

A film as absorbing and unassuming as the central character.

Steven Spielberg's masterly, high-minded recreation of Abraham Lincoln's long-shot battle to get the 13th amendment outlawing slavery through a hostile Congress.

The filmmakers write history with lightning, and their instrument is Daniel Day-Lewis as the graying, hunched and shuffling Lincoln, bent but not broken and as tall and thin as a stick figure in a Tim Burton cartoon.

Lewis keeps his fire on a low flame, quietly navigating the underlying tone of hagiography and emerging as a believable man, and exactly the kind of pragmatic idealist America could use today.

This is movie magic -- history coming to life, before our eyes.

Even as a historical figure considerably better known than any he's played before, there's no trace of impersonation in Lewis's performance.

As one of this generations greatest actors, two time Oscar winner Day-Lewis is a shoo-in for a chance at a third trophy.

As essential an entry in Spielberg's catalog as his most popular blockbusters and heralded epics.

Spielberg undoubtedly is asking us to pay attention and learn something - there is no nodding off in this class - but even with all the talk of ratification, and envoys, and securing votes, Lincoln is an engaging, if not rousing film-going experience.

Lincoln is a performance masterclass. Spielberg humanises the icon and admires Lincoln the man - in the face of the challenges that defined him. It's a special effort in the capable hands of a legend.

Lincoln is Spielberg's best film since 2005's Munich, and one of 2012's finest.

This is an almost religiously revered president portrayed as he's never been portrayed on screen before, a tale told with grace and sophistication. If only for this fact alone, Lincoln is a work deserving of praise.

Especially in today's frustratingly gridlocked political environment, Lincoln is timelier than ever. It gives us hope that government can accomplish great things even as it drags itself through the muck and strain of corruption.

While Spielberg captures a time, Day-Lewis captures another brilliant performance, and some of the supporting actors may capture Oscar nominations, the film didn't capture my soul the way I was hoping.

The film presents Abraham Lincoln's deliberations as a function of his innate morality, as well as an emotional rightness.

A fascinating history lesson taking place mostly in the backrooms of Washington.

Good film, but 'Lincoln' is not a movie about Abraham Lincoln - it's about a man in an Abe costume posing as someone who had overwhelming love for African-Americans, when in reality that was far from the Lincoln documented in history.

Source: http://www.rottentomatoes.com/m/lincoln_2011/

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